Canon Working on ‘New Lens Tech,’ Will Let You Shoot ‘New Type of Photo’
From the beginning of my photography career—which is … almost 30 years ago (that can’t be true!)—I’ve been shooting with zoom lenses. Due to the flexibility they offer, I was convinced they make the best choice; as far as I know, thousands of other travel photographers who would say the same.
We hear everyone in the photography industry talking about image quality, image quality, image quality. We especially hear about this in any circle of people chatting (or writing) about night photography. Conversations (and books, articles and blog posts) are rife with opinions and advice about how to push the limits of our cameras and lenses in order to get the best image quality in low-light situations.
Here’s a juicy research & development tidbit straight from the executives at Canon. In an interview with Focus Numerique at the Utsunomiya L lens factory in Japan, Canon said they’re working on a “new lens technology.”
Five years after beginning its very long journey, NASA’s Juno spacecraft has beamed back photos of Jupiter’s poles for the first time… and they’re stunning.
The World Press Photo Awards isn’t the only prestigious photo competition that experienced controversy this year: the 2017 Sony World Photography Awards received at least one complaint of plagiarism by a photo selected for the Open competition shortlist.
Commercial photographer Vatsal Kataria of New Delhi, India, shoots big photos with small budgets. Instead of taking expensive cars and motorcycles into grand outdoor locations, Kataria builds detailed miniature sets in his studio.
It is yet again the day of the year on which you can’t trust anything you see online. Here’s a roundup of some of the April Fools’ Day jokes that have emerged in the world of photography in 2017.
About a week ago, the FBI quietly re-released a collection of photos from the 9/11 aftermath into their online records vault. The photos, which focus on the wreckage at the Pentagon, were originally published in 2011, but disappeared for some time due to a technical glitch.
Bentley has captured what they’re calling “the world’s most detailed landscape photo”: a 57.7 gigapixel interactive ad stitched together from 1,825 individual frames captured from atop one of the tallest towers in Dubai.
If you’ve ever loaded up a large camera backpack (like something from Think Tank Photo or LowePro) and hiked a mountain, you’ll be able to fully appreciate how terrible the experience is… well, except for the views.
Along with normal how-to articles and essays, I’ve always liked reading and writing very technical, nitty-gritty articles about photography—sometimes, articles on topics that rarely come up while actually taking pictures.
Smaller than any monolight but more powerful than any speedlight, the Godox AD200 pocket flash (AKA. Flashpoint eVOLV 200) is an intriguing piece of lighting equipment. But can it take on the South Texas sun? Photographer Francisco Hernandez took it out on a portrait shoot to find out.
Over the past few weeks, the PetaPixel tip line has been flooded by reports of Instagram ‘shadow banning’ accounts. This practice, ostensibly limited to business accounts, is destroying engagement on these photographer’s profiles.
Given that most photos are captured digitally and shared online, it’s easy to forget the beauty of a print.
Two pairs of researchers from Cornell University and Adobe have teamed up and developed a “Deep Photo Style Transfer” algorithm that can automatically apply the style (read: color and lighting) of one photo to another. The early results are incredibly impressive and promising.
The biggest photography announcement of the week came from Hasselblad. In a move that is being praised by most of the photo community, the storied camera company appointed photographer Ming Thein as its new Chief of Strategy, leaving us all to wonder “what happens now?” PetaPixel sat down with Ming to find out.
Amateur photographer Mason Maxwell recently paid a creative tribute to one of his favorite albums. Using construction paper, a prism, and good ol’ sunlight, he was able to shoot a surprisingly accurate version of the cover of Pink Floyd’s Dark Side of the Moon.
So much of the world today is invisible to cameras. Technology operates in a light-less world of zeroes and ones, electromagnetic waves that fly over our heads in ever-increasing abundance.
For his fascinating project Digital Ethereal, designer Luis Hernan set out to capture one of these invisible signals, WiFi, using a creative combination of long exposure photography and an Android app.
Most car commercials involve big budgets, test drivers, and excursions to exotic far-away lands—unless, of course, you hire miniature photography master Felix Hernandez. For his latest assignment with Audi Middle East, Felix created his own personal desert and roadway right in the comfort of his own studio.
Want to see what kind of work goes into turning a masterful photograph into an iconic print? Pablo Inirio, the master darkroom printer who works at Magnum Photos’ New York headquarters, has personally worked on some of the cooperative’s best-known images. A number of his marked-up darkroom prints have appeared online, revealing the enormous amount of attention Inirio gives photos in the darkroom.